At a glance
- Opens
- when the Bishop’s rite is resolved
- Where
- behind the orphanage altar, down; then up to the Ring of the Kneelers
- The last fight
- a knight’s test
- The end
- three endings, all always available, each tinted by what you did
Everything below the next heading is sealed with the gold seal. The chapter works as a checklist for a second play, or for a streamer who wants to stage the last hour.
The road down
Sealed · The endingThe stair and the six roomsBreak the seal to read
Behind the orphanage altar, down, of his own will. The lamp above goes out. Six rooms, each named for one of the rite-book’s written marks. In each, the priest’s voice from ahead names the mark, the game shows a still of the clue you passed long ago (the receipt), and Wick answers.
| Room | Mark | What is there | Wick |
|---|---|---|---|
| I | Unhoused | the foundling wheel; he hears his mother’s village named: Sallowhithe | “Unhoused? I had a hall.” |
| II | Raised | the robing room: his robes, Andrevel’s beside them with the signet, the third half-sewn | “Raised. By her hand. I know whose.” |
| III | Owed | the ledger hall: the priest takes the ledger out of Wick’s own coat and reads three entries | “Every one owed. I collected.” |
| IV | Unled | the hall of open doors, every door named, the coffin lid first | “I led myself. Every step.” |
| V | Unheard | the bell room: the Marchioness’s bell still keeping the beat | “Unheard. They hear me now.” |
| VI | Unfed | the refectory: the long table laid for everyone but one, the King’s cup at its head | “Unfed. I have eaten since.” |
The staging of rooms V and VI is still being designed TBD.
The council chamber. Seven chairs: six for the heads, and the seventh at the table’s foot, which nobody has sat in. The surviving heads kneel and invite him, formally, gratefully. A held blow here still pays a head. Nothing stops him.
The World
Sealed · The endingThe knight’s test, the reading, and the godBreak the seal to read
Up, by the stair under the Ring, to the Kneelers on the hill’s shoulder. Father Fulcran waits on foot with a pike. “Wick.” “Father.” The fight is a knight’s test, not a head’s rite: no asking, no held blow. He tries to put you on your knees; you get up every time, and cut him when his pike is spent. Hooded porters, the men who carried every offering to the Stone, come to hold you. Panel.
He will try to put you on your knees. Every one before you went down.
Let him try. Old men break first.
Then the reading. The priest reads the rite-book’s page aloud, the six written marks, and stops at the seventh line, which is blank. He shows Wick the church’s image of the Blessed Hand, carried up from the chapel, and turns it to the light: Andrevel’s scratches, legible at last. He says nothing more.
And unbowed.
Then the god, plainly, once: the first offering, the Stone, the one who would not kneel. His three lines and Wick’s answer are in The One Below.
The choice
Sealed · The endingRefuse, Take, FeedBreak the seal to read
Every ending is available from the World; the count of saints, ruined heads and tricked Anchorites tints each one.
Refuse. He turns his back on the triangle. The god tells him why this refusal is not Andrevel’s, and lets him go for good: from here to the top of the stair, a death is final. The heads attack him on the stair, begging; he reaches the top without giving the blow. The rooks go with him. Above: saints and shrines, or the pillory full and the council’s lamps. At six spared, the Assize: the city comes down behind him and tries the priest in his own schoolroom, on his own seal, and dismisses him; his mother sits on the jury and says his name; Sister Ide sits on the bench; and if the hunter lived, his lantern lights the last steps.
You raised me. So be it. I choose the ground.
Take. He steps into the triangle, knowing. He kills the surviving heads knowing what it pays, walks them down as shades, and takes the seat above his own throne. The rooks leave him at the triangle’s edge.
Not a seat below. A seat beside. Now we are two.
Sit.
Feed. He opens the gate with his own blood. The court comes up wearing the saints’ faces, out of the windows and the shrines, and the white tabards go down the hill to meet them. It is the church’s own promise, from the homily, come true.
Come up, then, all of you. I have kept the door long enough.
| What tints the ending | What you see |
|---|---|
| saints made | shrines, and his mother kneeling at one; the church holds the square |
| heads ruined | the pillory full; the council holds the square |
| all six spared | the Assize (Refuse) |
| Anchorites tricked | one visible mark in the last scene for each TBD: the final staging |
| Mother Carrion’s rooks | with him in Refuse; gone in Take; gorging in Feed |
Stream notes
- Save before the stair if you want to show all three endings.
- The six rooms replay clues from the whole game. Pause on each still and ask the chat when they saw it.
- “And unbowed.” is the line the whole game is built to land. Let the silence after it play.
